Libánská Anna

Abstract

This paper discusses Balkan music performed in the Czech Republic,
especially in Prague. Balkan music is performed by musicians not enculturated
in Balkan culture. Their music production can be understood as a social practice
initiated by certain stereotypes, viewed as Balkanism (Todorova 2009). In
doing so, they display their attitude towards their Slavic neighbors.
Using an ethnographic snapshot of a festival evening called Balkan
Session, the main objective of this paper is to show the interaction between
Balkan music as performed in Prague and the Balkans, represented by the
migrants from the Balkan Peninsula in Prague. The concepts of Balkanism
(Todorova 2009), Safe Enterprise (Laušević 2007) and Intimate Distance
(Bigenho 2012) are used in the interpretation.

Keywords

Balkan music; Balkanism; ethnic stereotyping; Intimate Distance

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Vydání: 17, 2015, 2