Milan Hlavsa and the Troubled Existence of the Music Group “The Plastic People of the Universe”: Life Story and Discourse

Pecková Barbora

Abstract

The paper interprets the life story of the musician and the co-founder
of the group “The Plastic People of the Universe”, Milan Hlavsa, through
the analysis of interviews realized with Hlavsa in the years 1986–1991. The
interpretation focuses on the roots of his relationship to rock ’n’ roll music,
of his efforts to be a professional musician, of his relationship to Ivan Jirous,
and of his experiences with communist repression. The case study of Hlavsa’s
life story embeds the topic of the identification of rock ’n’ roll youth subculture
in the underground culture. The oral history and biographical method used in
the analysis shows the disproportion of the self-identification of the individual
and the discourses built around the underground community. The paper
discusses two of the most influential publications about the underground:
Miroslav Vaněk’s Byl to jenom Rock’n’ roll (It Was Just Rock ’n’ roll) and
Jonathan Bolton’s Worlds of Dissent: Charter 77, The Plastic People of
the Universe, and Czech Culture under Communism. It points out how the
methodology and selection of historical subjects and sources influences the
interpretation of the phenomenon of the underground and its participants.

Keywords

underground; rock music; Plastic People of the Universe; Milan Hlavsa; life-story

Download PDF

Vydání: 19, 2017, 3